Interpret:
Rabih Abou Khalil Glen Moore Glen Velez Selim Kusur Yassin El-Achek u. a.
Komponist:
Rabih Abou Khalil und Tizol, Ellingtin, Mills
Label:
MMP
Jahr:
1992
EAN:
0000000000000
Medium:
1 CD
Sprache:
Instrumental
Verzeichnis:
1. Remembering Machgara 0:00
2. Walking On Air 7:13
3. Nida 16:21
4. Revelation 23:05
5. Wordless 28:49
6. Sweet Rain 36:56
7. Outlook 41:59
8. Caravan 50:28
9. Dreams Of A Dying City 56:02
2. Walking On Air 7:13
3. Nida 16:21
4. Revelation 23:05
5. Wordless 28:49
6. Sweet Rain 36:56
7. Outlook 41:59
8. Caravan 50:28
9. Dreams Of A Dying City 56:02
Zustandsbeschreibung
CD sehr gut. Soweit ich gesehen habe kratzerfrei. Hülle mit stärkeren Gebrauchsspuren.
Artikelbeschreibung
Arabische Instrumentalmusik mit westlichen Einflüssen. Auszug Biographie Abou-Khalil:
"Born and raised in the cosmopolitan climate of Beirut in the sixties and seventies, Rabih Abou- Khalil learned to play the oud, the Arabian short-necked lute, at the age of four. In the Arab world this instrument is as popular as the guitar or the piano in the West and is the composer’s instrument par excellence. The Lebanese civil war forced him to leave his country in 1978 to study classical flute in the German city of Munich, where he was tutored at the Munich Academy of Music by Walther Theurer. The analytical preoccupation with the European classical tradition enabled him to grasp Arabic music from a further, theoretical position, opening his eyes to the possibility of operating simultaneously within musically divergent systems.
Rabih Abou-Khalil has asserted himself as an original composer, not just because he is ahead of his time – but because he also questions what others might pursue without further reflection. With his original composing technique, his unconstrained, daring approach to classical Western and Arabic music, he has found a rhythmically and melodically complex musical language entirely his own, sounding simultaneously strange and yet familiar. It seems to break with almost every existing musical idiom. ..."
"Born and raised in the cosmopolitan climate of Beirut in the sixties and seventies, Rabih Abou- Khalil learned to play the oud, the Arabian short-necked lute, at the age of four. In the Arab world this instrument is as popular as the guitar or the piano in the West and is the composer’s instrument par excellence. The Lebanese civil war forced him to leave his country in 1978 to study classical flute in the German city of Munich, where he was tutored at the Munich Academy of Music by Walther Theurer. The analytical preoccupation with the European classical tradition enabled him to grasp Arabic music from a further, theoretical position, opening his eyes to the possibility of operating simultaneously within musically divergent systems.
Rabih Abou-Khalil has asserted himself as an original composer, not just because he is ahead of his time – but because he also questions what others might pursue without further reflection. With his original composing technique, his unconstrained, daring approach to classical Western and Arabic music, he has found a rhythmically and melodically complex musical language entirely his own, sounding simultaneously strange and yet familiar. It seems to break with almost every existing musical idiom. ..."
Schlagworte
k.A.